From a story about the idea that while Apple are moving into producing content directly they are keen to differentiate Apple’s own content from the sort of grittier, adult fare that seems to be a hallmark of the ongoing Golden Era of Television Drama. In particular:
Apple CEO Tim Cook reportedly killed a semi-autobiographical drama about Dr. Dre’s life. Named Vital Signs, the drama had scenes that included drug use, sex, and guns. Those scenes were apparently too scandalous for Apple to feature. Which prompted this observation, from commenter ignite ice:
macduff wrote: Why did Apple commission a Dre series in the first place? Apple bought out his company for $3 billion, did they not bother to do a background check on Dre? His gangsta rap is hardcore.
It would seem, at least on the surface, that although they bought his company, they forgot about Dre.
Darius Kazemi might just be some kind of evil genius:
I gave a talk at CornCon 2018 about the history of the cron utility in UNIX systems, in the character of a man who gradually realizes that he is not speaking at CronCon, a conference about the time-based scheduler, but rather at CornCon, a conference about the cereal grain, also known as “maize”. Thanks to Casey Kolderup for taking video, and Jen Tam for hosting me.
Be sure to follow the link to see his entire performance. The moment when he started on the significance of root in the two contexts at hand, I just lost it.
[Via A Whole Lotta Nothing]
As of Google Chrome version 69, Google are treating being logged in to any Google service as the same thing as being logged in to Google Chrome:
Most Google services have for me this in common with Facebook: these services are too deeply integrated and impossible to use in part or isolation. It’s either the entire system or nothing, based on how the question of consent is approached. You would like to use GMail (logged in obviously) but Google search, Youtube, Chrome etc without a login? No can do. You selected strict settings in Facebook for your profile data? You’re just an API/permission redesign away from having your choices nullified. Part of me feels that this Chrome shared computer issue that Googlers mentioned is real, but it’s also just too convenient to solve this by tieing Chrome closer to Google, you know? Note to Google: any time you find the software engineering decisions you’ve made being compared with those made by Facebook, that’s probably not a good thing for your end users these days.
[Via Extenuating Circumstances]
Sad to say, the Apple Store and Greg Knauss have a little problem:
[Including…] the phrase “iPhone XR” or alluding to some announced, advertised, demoed but technically theoretical new phone will result in another rejection, up until October 26, 2018, when something will be released. Maybe it will be a flamethrower, or humane treatment for Foxconn workers, a phone for less than I paid for my first car! Who can say?
I know this is a ridiculous fight. I know that I agreed to this particular barrel of foolishness when I signed up to be an Apple developer. I know this is small potatoes, and that the country is on fire. I know that millions of people are battling every day for their dignity and their families and their lives. But, goddammit, this is a bridge too stupid, and I can’t cross it.
From Memex 1.1:
“More fiction is written in Excel than in Word”
Amen to that, brother.
Sometimes by design, sometimes by accident.
Neil Gaiman and Chris Riddell on why we need libraries.
I realise this is not the right time of year for posting this, but I came across this yesterday and the notion of Javier Grillo-Marxuach bringing The Middleman and the Doctor together was just too delicious to keep to myself just because it’s not Xmas again just yet:
[…] By the time The Middleman fired his grappling gun and was halfway through his arc over the ball of light and dread where the salt-and-pepper-shaker dudes had once stood – hoping to make the final, desperate act of his life the simultaneous rescue of his sidekick and dropping of a Hydrogen Atomizing, Incendiary Load, Multi-Armament-Radiating Ypsillon (so named for it’s Y-shaped form-factor) into the opening maw of the Cinderellica, the fate of the world had already been signed, sealed and delivered.
The Middleman’s final desperate act of self-sacrifice was to have been in vain.
Had he not heard – over the clamor of exploding cyborgs and henchmen – an aural phenomenon he had many years ago vowed to never forget… an echoing, pulsating mechanical howl best described as the animal husbanding of the arooga-horn from a Ford Model-A and a 1930’s Parisian hotel elevator inside one of the vacuum tubes of the BBC Radiophonic Workshop circa 1963.
By the time The Middleman’s swashbuckling trajectory had taken him to the spot where Wendy Watson hanged unconscious – but before he was able to flip the switch arming the Hydrogen Atomizing, Incendiary Load, Multi-Armament-Radiating Ypsillon – both he and his sidekick were in a different place altogether.
Inside the cobalt blue police call box which had inexplicably materialized over the late Kanimang Kang’s Coliseum-like lair and briefly hovered in space before vanishing with a final echoing AROOGA-THUMP!
Say what you will about the Doctor, s/he knows how to make an entrance.
[Via Grillo-Marxuach Design Bureau, via somewhere else I forgot to keep a note of at the time]
It’d be marvellous if writers about TV could spend a few years never mentioning Lost at the drop of a hat, but otherwise Person Of Interest Was Anti-Prestige TV And Too Smart For Primetime is a pretty great tribute to a genuinely great show that never got the credit it deserved.
Reese and Shaw are brute-force objects, fighting for what they believe is right. Root and Finch argue over letting the machine free, with Finch understanding that his Machine is just another interpretation of Samaritan, with Root’s belief that Samaritan is simply a badly taught God. Fusco, even when he knows the full scale of the stakes, acts as moral anchor. Faced with two giant computers fighting a global war, he mostly says things like “What the fuck?” and “All right, I’ll shoot at the bad men, but there better be a hot dog in it for me.”
And that’s the beautiful thing: You view the whole struggle from varied but understandable perspectives. That’s just sharp TV writing. You see the plot for what it is, you know who dies or survives, you know why things happen and who everyone is, and you are never thrown into the quagmire of Lost. I’ve deliberately left out the fact that J.J. Abrams was an executive producer of Person of Interest as it feels so distinctly not like the J.J. Abrams of Lost. It certainly feels more like Alias, with an ensemble cast, a shadowy enemy, a truly shitty bad guy (Arvin Sloane is a top-10 television shithead) – but it corrects many of that show’s mistakes. Person of Interest rarely leads you astray, avoids red herrings and rewards you for watching flashbacks. It’s a show with little filler, few eye-rolling twists, and yet deals with some absolutely batshit science-fiction elements.
It’s a crying shame that Peter Watts never got to release his tie-in novel for the show.
[Via Extenuating Circumstances]