AROOGA-THUMP

I realise this is not the right time of year for posting this, but I came across this yesterday and the notion of Javier Grillo-Marxuach bringing The Middleman and the Doctor together was just too delicious to keep to myself just because it’s not Xmas again just yet:

[…] By the time The Middleman fired his grappling gun and was halfway through his arc over the ball of light and dread where the salt-and-pepper-shaker dudes had once stood – hoping to make the final, desperate act of his life the simultaneous rescue of his sidekick and dropping of a Hydrogen Atomizing, Incendiary Load, Multi-Armament-Radiating Ypsillon (so named for it’s Y-shaped form-factor) into the opening maw of the Cinderellica, the fate of the world had already been signed, sealed and delivered.

The Middleman’s final desperate act of self-sacrifice was to have been in vain.

Had he not heard – over the clamor of exploding cyborgs and henchmen – an aural phenomenon he had many years ago vowed to never forget… an echoing, pulsating mechanical howl best described as the animal husbanding of the arooga-horn from a Ford Model-A and a 1930’s Parisian hotel elevator inside one of the vacuum tubes of the BBC Radiophonic Workshop circa 1963.

AROOGA-THUMP…AROOGA-THUMP…AROOGA-THUMP!

By the time The Middleman’s swashbuckling trajectory had taken him to the spot where Wendy Watson hanged unconscious – but before he was able to flip the switch arming the Hydrogen Atomizing, Incendiary Load, Multi-Armament-Radiating Ypsillon – both he and his sidekick were in a different place altogether.

Inside the cobalt blue police call box which had inexplicably materialized over the late Kanimang Kang’s Coliseum-like lair and briefly hovered in space before vanishing with a final echoing AROOGA-THUMP!

Say what you will about the Doctor, s/he knows how to make an entrance.

[Via Grillo-Marxuach Design Bureau, via somewhere else I forgot to keep a note of at the time]

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