I never got round to reading Ready Player One because judging by the reviews I read at the time it sounded as if the book was unutterably proud of itself for stringing together lists of pop cultural trivia for geeks to recognise. Judging by Laura Hudson’s review for Slate , I don’t think I’ll be in any rush to devour Ready Player Two:
A cackling villain appears to menace our heroes and shout mean things that sound remarkably similar to negative reviews of Cline’s previous work: “Don’t you kids ever get tired of picking through the wreckage of a past generation’s nostalgia?” Wade responds by telling the bad man to go away and leave them alone, and subsequently drives off to fight Prince in a little red Corvette while wearing a raspberry beret. (This is not a joke.)
I have a feeling Spielberg isn’t going to be in a rush to put together another big screen adaptation of Cline’s work. Not that the first one was all that wonderful.1 I get that Spielberg was probably the one pop cultural figure with the clout 2 to get the rights to use so many pieces of other peoples’ intellectual property in his film, but exercising that clout in such an unworthy cause3 was not worth doing for this story.
- Sure, it was a challenge to pull together a replica of the Overlook Hotel from The Shining when the plot led our heroes down that path, but I like to think that Spielberg directed those scenes fully aware that Stanley Kubrick was looking down from above and shaking his head at how small an achievement that truly was. ↩
- Which is to say, the cash. I’m rather glad that according to Wikipedia he failed to get to use material from Blade Runner and Close Encounters of the Third Kind in this project. I’m still deeply unhappy that the film made such use of the rather distinctive profile of a replica of the Iron Giant. Dammit, he deserved better than to have such a throwaway part. ↩
- As I understand it the scenes on the sets from The Shining weren’t part of the Ernest Cline novel. I suppose it could have been worse: we could have enjoyed a scene based on a clue to be found via a careful reading of a set of zero-G toilet use instructions that Heywood Floyd ponders briefly during his travels in 2001: A Space Odyssey. Not sure why the gang would need to find themselves visiting the virtual set rather than just googling for the text like they were savages, but I’m sure the screenwriters could have come up with a good reason. Maybe that prankster Kubrick had embedded a vital clue. ↩