January 27th, 2013
(In fairness, I should note that the copy above is at 50% of the size of the original, which serves to mask some of the rough edges. Follow the link to see the album covers in all their pixillated, colour-clashing glory.)
Nice work. It's surprising how nicely some of them turned out.
The Sensual World and 50 Words for Snow benefit from being essentially black and white images in the first place, so the dithering doesn't fall foul of the limitations of the Spectrum's graphics display,1 but some of the more colourful later albums like Aerial and Director's Cut look pretty damned fine all things considered. The run of albums from Lionheart to Hounds of Love is another matter entirely…
One last thought: we should all be eternally grateful that the creator of these tribute images didn't accompany them with reproductions of Kate's music created using a Spectrum's sound chip.
- Basically, in graphics mode the 256×192 pixel screen was divided into 8×8 pixel blocks, each of which was limited to a single foreground and background colour. Chunky, but more than made up for by the sheer amount of computer you got for your £175 if you went for the version with a massive 48KB – yes, that's Kilobytes, not Megabytes – of RAM. Those were the days. ↩