You know the sort of thing: big, shaped and lit like a particularly sparkly Xmas tree decoration, gliding slowly and almost silently towards a group of awestruck humans who've suddenly come to understand just how small and primitive and young the human race is. ↩
It's just a vignette, but that's all it needs to be: there's absolutely no need for it to be expanded into a full length feature. What counts is the economy with which the story unfolds, and the creepiness of the idea.
Watch out for the name of run's writer/editor/director Mat Johns in years to come. With a bit of luck and a decent budget to work with, he might well be bringing us something well worth watching.
The Hollywood Reporter has posted a copy of Aningaaq, a short film that serves as a companion piece to the scene in Gravity in which Sandra Bullock's character attempts to contact ground control but can only raise a man who doesn't speak any English and has no clue of what she's trying to say. It's rather good.
Here's the thing. I'd call myself a Doctor Who fan, but I'm really just a lightweight. I watched the show growing up, starting with the tail end of the Patrick Troughton era and then watching right through the Pertwee and Tom Baker years and then bailing out when Tristan Farnon took on the role. I barely saw any of Six and Seven's episodes and didn't feel the loss. I watched the TV movie and disliked almost everything about it: the Doctor being half-human, the Master being nothing whatsoever like Roger Delgado, you name it.
I was intrigued at the prospect of the show returning, and deeply relieved that Christopher Eccleston was terrific and the show was confidently moving forward, even if some of the modern trappings irk me a bit.1 I've been happy to follow the show since: when it's good, it's very good indeed, and as the poor stories are mostly just a single episode long I'm willing to let the odd duff one go because I know a better one will be along shortly and in the meantime there'll be a nice character bit from Matt Smith or Rory will step up and do something remarkable or Donna will turn out to be the most important person in the entire universe.
Outside of the TV episodes, I've never been inclined to follow the tie-ins, beyond having read a few of the early novelisations back during that first spell watching the show, and I've never been tempted to look back into the seasons and Doctors I missed out on. As I say, a bit of a lightweight fan.
And yet, I am. Not as excited as Stu, for whom Eight is "his" Doctor, but still weirdly thrilled. Realising what I was watching immediately planted a huge grin on my face that still hasn't quite faded.
Seeing the producers pull something like this out of the bag makes me think that Moffat and co. might just blow all our socks off with the 50th anniversary story.2
The whole idea that the default Companion is a young, attractive female who might well end up snogging the Doctor. The notion that the Doctor is famous. The sonic screwdriver being so much more capable, and being wielded like it's a magic wand. John Simm playing The Master when they should have kept Derek Jacobi around to be a properly scary contrast to David Tennant's Doctor. The need to tie every season into an arc story. Not show-stoppers, by any means. ↩
I know this almost certainly won't come to pass given the actor's misgivings about returning to the role, but wouldn't it be great if the appearance of the War Doctor in the special ended with his regenerating and Nine getting up just in time to go off to London and meet up with Rose. ↩
Even when you know what's about to happen, you're watching the film and thinking "OK, in a minute he's going to bank sharply and the runway will swing into the camera's field of vision and this'll be relatively straightforward." Then the pilot banks sharply and puts the aeroplane down on a rough piece of land clinging to the side of the mountain. One where he's going uphill!
After which he goes out, takes a few pictures, observes that it's really cold, and takes off with just as little fuss. Great stuff.
For the record, I can't begin to vouch for the mathematical formulae in the left hand pane bearing any relationship to the phenomena shown in the middle and right hand panes of the video. But it's really pretty, which is way more important than accuracy any day.1