Tag: speculative fiction
I’m indebted to Tim Bray for the pointer to jwz’s They Live and the secret history of the Mozilla logo, which I must have read at the time but which I don’t think I posted about here:
I’m going to draw a line through 1930s agitprop, Ronald Reagan, methane-breathing zombie space aliens, the Mozilla logo, Barack Obama and the International Communist Conspiracy. It’s a long walk, so please stick with me. […]
It’s a longish read, but it’s about ancient history about important software and one of John Carpenter’s best films: how could I resist?1
- Also, a commenter pointed to a collection of essays on They Live by Jonathan Lethem that I bought sight unseen. ↩
[On Lois McMaster Bujold…] One of the things I love about Lois’s work is that she is extremely speculative about relationship, family, and reproduction. You cannot separate out the “science fiction plot” and the “family plot” or the “fantasy plot” and the “romance plot,” because they are always, always inextricable. The speculative conceit is never window-dressing, but neither are the human relationships tacked on as an afterthought. The worlds the characters live in are integral to how they relate to each other in families, how they consider building their families in complicated ways–how they have children but also how they form other kin-bonds, which affines receive what kind of loyalty and why.
It’s sometimes hard to realize how ground-breaking some of her books were because they broke so much ground that two houses have been built and torn down for an entirely new gigantic business development in the short time since Lois broke that ground.
I wish I had time to follow up on all the works this series points us towards, but thankfully there’s no tearing hurry to get to it now. This sort of resource, hopefully sitting round for readers to discover for years to come so long as search engines and linkblogs continue to be a thing 1 is exactly what the web was designed to be good at.2 Here’s hoping that the content being written about is still available to read too.3
A terrific resource.
- Until some bright spark at Google or Facebook or Twitter comes up with a more compelling content delivery service that causes everyone to treat the World Wide Web as we do gopherspace nowadays and let all that content disappear from view. ↩
- Writing this, I feel a little guilt at how much of the content posted on Sore Eyes over the last couple of decades is not at present available online, due to my bad habit of saving off archives of content when the site undergoes a change in CMS or hosting service or software platform and my always meaning to get round to re-uploading/reformatting that content for the new service/system/platform but not getting it done. I know I’m a bad citizen of the Web for doing this, but I comfort myself that in the end Sore Eyes is primarily a linklog pointing at the real useful content other people post and hopefully that’s still online even if the pointer to it from Sore Eyes isn’t. In these days of powerful search engines linklogs aren’t really needed any more, and perhaps I’m just in denial about that fact. (I just plain refuse to contemplate the amount of linkrot that afflicts older posts linking to content elsewhere. That’s just too depressing.) ↩
- The question of ebooks and the state of the publishing industry is a topic for another post. ↩
I’d completely missed that earlier this year Paul Cornell wrote a couple of short followups to the Human Nature/The Family of Blood two-parter from back in the day.
Interesting to see the difference a couple of regenerations made to the Doctor’s attitude to a defeated foe.
(Context, for the weak.)
I never got round to reading Ready Player One because judging by the reviews I read at the time it sounded as if the book was unutterably proud of itself for stringing together lists of pop cultural trivia for geeks to recognise. Judging by Laura Hudson’s review for Slate , I don’t think I’ll be in any rush to devour Ready Player Two:
A cackling villain appears to menace our heroes and shout mean things that sound remarkably similar to negative reviews of Cline’s previous work: “Don’t you kids ever get tired of picking through the wreckage of a past generation’s nostalgia?” Wade responds by telling the bad man to go away and leave them alone, and subsequently drives off to fight Prince in a little red Corvette while wearing a raspberry beret. (This is not a joke.)
I have a feeling Spielberg isn’t going to be in a rush to put together another big screen adaptation of Cline’s work. Not that the first one was all that wonderful.1 I get that Spielberg was probably the one pop cultural figure with the clout 2 to get the rights to use so many pieces of other peoples’ intellectual property in his film, but exercising that clout in such an unworthy cause3 was not worth doing for this story.
- Sure, it was a challenge to pull together a replica of the Overlook Hotel from The Shining when the plot led our heroes down that path, but I like to think that Spielberg directed those scenes fully aware that Stanley Kubrick was looking down from above and shaking his head at how small an achievement that truly was. ↩
- Which is to say, the cash. I’m rather glad that according to Wikipedia he failed to get to use material from Blade Runner and Close Encounters of the Third Kind in this project. I’m still deeply unhappy that the film made such use of the rather distinctive profile of a replica of the Iron Giant. Dammit, he deserved better than to have such a throwaway part. ↩
- As I understand it the scenes on the sets from The Shining weren’t part of the Ernest Cline novel. I suppose it could have been worse: we could have enjoyed a scene based on a clue to be found via a careful reading of a set of zero-G toilet use instructions that Heywood Floyd ponders briefly during his travels in 2001: A Space Odyssey. Not sure why the gang would need to find themselves visiting the virtual set rather than just googling for the text like they were savages, but I’m sure the screenwriters could have come up with a good reason. Maybe that prankster Kubrick had embedded a vital clue. ↩
Catching up with my podcast queue the other day, I was slightly taken aback at the moment in episode 153 of Imaginary Worlds where Doug Jones mentioned that he’s recently turned sixty years old and finds himself having to think a bit harder nowadays about whether a younger performer might be a better fit for a role’s demands. I suppose the fact that he delivers most of his performances from under layers of latex and makeup has hidden hasn’t helped.
His current role as Saru on Star Trek: Discovery, excellent as his performance is, probably isn’t destined to turn him into a superstar1 given what a niche of a niche that show is followed by. I have a horrible feeling that a decade from now he’ll be at least semi-retired and for a certain generation of Trekkies2 he’ll be remembered alongside Mark Lenard and Jeffrey Coombs and as one of the fan-favourites of the franchise.
That’s not a small thing, even if it’s not the level of fame he deserves after a long career bringing other peoples’ dreams – or nightmares – to life on-screen.
- To be fair, within his very particular niche he is something of a superstar. It’s just that his niche is one of those where – almost by design? – thirty years after his death people will be amazed to find out that the same guy was under all that make-up in Pan’s Labyrinth (in two different roles!) and in the Buffy episode Hush and in The Shape of Water and as Abe Sapien in the two good Hellboy films and in oh so many others. ↩
- Not sure whether that’s still a term that they approve. (Probably not.) Pretty certain I’m past caring. It’s not meant as an insult. ↩
Today seems to have turned into a day of reading speculative fiction online. There are worse ways to spend a Sunday…
I first read Incorruptible by Peter Watts a couple of years ago as part of the XPRIZE Flight #008 competition. It’s precisely as optimistic as you’d expect from Watts:
This is the moment Malika Rydman first realizes that something is seriously out of whack: when the airport cop doesn’t threaten her. […]
There’s no implied threat in his voice. He doesn’t seem to be itching for an excuse to escalate (not that Malika would ever be stupid enough to give him one – then again, sometimes they just make shit up after the fact). The words don’t even carry the tone of a command exactly, more like a – a request. […]
Believe me, it gets way darker and heavier from there. But Watts gets us there in a characteristically logical, remorseless manner.
It’s a pity Peter Watts doesn’t have the profile and awards his talent merits.
[End of a rejection letter from Campbell…]
As for “The Phonemes of Aldebaran,” it’s well-written but I have to pass. Astounding is a science fiction magazine and linguistics is not a science.
I mean, how can any Trekkie with a sense of the history of the genre resist a storyline which pits the combined unstoppable forces of Uhura and T’Pring against the immovable object that was John W. Campbell, Jr at the height of Astounding‘s dominance?
Think of it as a sort of companion piece for Deep Space Nine‘s Far Beyond The Stars
Happy to see Battlestar Galactica return to BBC2 tomorrow. Looks as if the plan is for two episodes a week on Saturdays, so that’ll be something to look forward to.
Admittedly All This Has Happened Before and All This Will Happen Again, but perhaps this time knowing in advance how badly they lost their grip on certain aspects 1 of the wider story will bother me less this time round.2
The thing is, somewhat improbably given the source material, the BSG reboot still ended up delivering several seasons of high quality speculative fiction on TV. I’m delighted to have another opportunity to watch the story unfold.
- e.g. what happened to that whole Cylon Plan that supposedly underpinned their actions from the start? ↩
- In a perfect world Ron Moore will end his new baby, For All Mankind, well into the future with a conclusion that sees the alternate history space race sending teams off to establish a colony on Kobol and we’ll look back on that show and recognise all the sneaky connections to his earlier story that the writers slipped in this time round. (I doubt that the storyline of For All Mankind will extend that far into the future, but I can hope, can’t I?) ↩
Amazon missed an opportunity when they failed to issue a press release announcing that their planned TV adaptation of Consider Phlebas was cancelled due to special circumstances and left it at that.
For the record, if the rights are picked up by someone else perhaps we’ll look back a decade from now and be glad that we ended up with the Wachowskis’ version of Use of Weapons instead.1
- I know this is not a fashionable take on Jupiter Rising and Sense8, but who else has even looked capable of rising to the challenge? ↩