Logically, there was no good reason why yet another branch of human endeavour shouldn’t fall to the energy of an entrepreneur prepared to apply modern technology and a Can-Do attitude to the problem. That was the theory, anyway:
While tailors have figured out a formula for men’s suits, bra tailoring is a younger technology with a smaller market and far fewer competitors. It used to be the case that tailors would hone their craft, keep their tailoring knowledge as a trade secret, and pass on their knowledge of pattern-making to apprentices.
But bras, coming after the Industrial Revolution, had no such history of custom tailoring. Pattern-makers were accustomed to working with industry fit models, altering their patterns as necessary, and grading their patterns using rules. They were not accustomed to making a precise pattern based on measurements on the body.
I was brash, and thought that with the right team, we could accelerate centuries of learning into six months and a trade secret. We hired professionals to make precise patterns for 20 beta users. Our theory was that this data would enable us to crack the code.
[Narrator: They didn’t crack the code.]
Following on from yesterday’s post, Ron Moore says all sorts of things about season 2:
“You’re going to see things that happened in real life, but happen faster and in slightly different ways,” Moore promised. “So things like the coming of the personal computer, internet, variations on communications and email and cell phones and all that. You’ll see it in a more rapid advance. And the actual models and prototypes and pieces of technology that are being used are not exactly what happened in real history… you’ll see variations on it. We went back and looked at some of the early prototyping and different branches that some of the technology could have gone off in the ’70s and ’80s, and chose to go down some of those paths. So, you’ll have a different spin and a different feel to it. The further the show goes now, the more science-fiction it’s going to become. We’re getting more aggressively into areas that never happened.”
Sounds promising. 1
[Via Adrian Hon, posting to FanFare]
So, For All Mankind closed with a slightly loner-than-usual season finale that perhaps signalled that when next we see these characters they might have moved beyond the Apollo era.
Be sure to stick around for the post-credit scene for the first season finale. I really hope that signals another jump forward in the timeline, because for all that I’ve enjoyed the course of the show’s first season I’d also been mildly worried that we were going to spend forever on the alternate Apollo programme and I really want to see this show go further along the alternate timeline than that. (I did joke about Ron Moore ending the show with an appearance from a Cylon, but one commenter over at MeFi Fanfare last week posited that the show will end with the discovery of a black monolith on the lunar surface and morph into a 2001: A Space Odyssey prequel Works for me.)
The finale revealed that the first commander of the first US base on the moon wasn’t the cold-blooded murderer we’d thought he might be last week, but I do wonder whether some time in season two someone will discover evidence that the base had been visited by the enemy and our putative hero will find himself having to own up to what went down in the preparation for his rescue mission for his rescuers. Will NASA file it under “Who cares? It all worked out in the end (except for Deke.)” or will there be a scandal when it turns out that our hero Ed (assuming he remains in the programme and ends up, say, as head of the Astronaut Office some day) realises that he recognises Mikhail, his newly-appointed opposite number on the Soviet side?
I’d still love to know whether Ron Moore’s plan is to spend seven seasons exploring how a different timeline plays out in the lifetimes of the current characters, or whether they’re going to throw in enough time jumps that we get a picture of the ramifications of a different start to the space race. Given that we’ve spent significant time following the story of Aleida, our immigrant space enthusiast in the first season, I can’t help but wonder whether her character 1 will pop up again before long, possibly after a couple more time jumps to give her time to have a reason to be in the story again. I mean, she might just show up years later as a member of the public watching what’s going on in the space programme rather than working in it, or it might be that her story was mostly a way to reveal her father’s story and how the FBI’s efforts to enhance security were mostly pointless, but I have a feeling she’s destined to be more involved than that.
I have a feeling, just given the economics of how TV casting works and the notion that it’s risky to press the reset button and demand that audiences get used to a largely new cast in a different scenario in the next season, that they’ll stick with rolling out the story covering the near future. A show that sticks with the 1970s generation of astronauts could well be every bit as much fun as the first season has been for folks like me2 but my preference would be for a show that ends up a few hundred years hence, one that reveals that because the Russians and the Americans were working in parallel on the Moon3 they ended up customarily working together and ended up extending that practice as they fanned out into the depths of the solar system. Heretical thought: might it have made very little difference, what with all the major players being basically extensions of the military powers’ armed forces and thus somewhat disinclined to cooperate with their potential enemies?
I completely understand that modern smartphones deliver ridiculously high-quality video recordings and that when you put them in the hands of a professional they can produce impressive results like Snowbrawl…
… but can you entirely blame me if I sit here with the thought “Dammit, those phones are expensive: be careful with them!” running through my head as I watch them capering in the snow and letting loose barrages of snowballs at one another?
Not sure how far that’s a sign of my getting old or of my getting less affluent (or both!), but it does remind me of how far I’m not part of Apple’s target market for this sort of TV ad.1