So, For All Mankind closed with a slightly loner-than-usual season finale that perhaps signalled that when next we see these characters they might have moved beyond the Apollo era.
Be sure to stick around for the post-credit scene for the first season finale. I really hope that signals another jump forward in the timeline, because for all that I’ve enjoyed the course of the show’s first season I’d also been mildly worried that we were going to spend forever on the alternate Apollo programme and I really want to see this show go further along the alternate timeline than that. (I did joke about Ron Moore ending the show with an appearance from a Cylon, but one commenter over at MeFi Fanfare last week posited that the show will end with the discovery of a black monolith on the lunar surface and morph into a 2001: A Space Odyssey prequel Works for me.)
The finale revealed that the first commander of the first US base on the moon wasn’t the cold-blooded murderer we’d thought he might be last week, but I do wonder whether some time in season two someone will discover evidence that the base had been visited by the enemy and our putative hero will find himself having to own up to what went down in the preparation for his rescue mission for his rescuers. Will NASA file it under “Who cares? It all worked out in the end (except for Deke.)” or will there be a scandal when it turns out that our hero Ed (assuming he remains in the programme and ends up, say, as head of the Astronaut Office some day) realises that he recognises Mikhail, his newly-appointed opposite number on the Soviet side?
I’d still love to know whether Ron Moore’s plan is to spend seven seasons exploring how a different timeline plays out in the lifetimes of the current characters, or whether they’re going to throw in enough time jumps that we get a picture of the ramifications of a different start to the space race. Given that we’ve spent significant time following the story of Aleida, our immigrant space enthusiast in the first season, I can’t help but wonder whether her character 1 will pop up again before long, possibly after a couple more time jumps to give her time to have a reason to be in the story again. I mean, she might just show up years later as a member of the public watching what’s going on in the space programme rather than working in it, or it might be that her story was mostly a way to reveal her father’s story and how the FBI’s efforts to enhance security were mostly pointless, but I have a feeling she’s destined to be more involved than that.
I have a feeling, just given the economics of how TV casting works and the notion that it’s risky to press the reset button and demand that audiences get used to a largely new cast in a different scenario in the next season, that they’ll stick with rolling out the story covering the near future. A show that sticks with the 1970s generation of astronauts could well be every bit as much fun as the first season has been for folks like me2 but my preference would be for a show that ends up a few hundred years hence, one that reveals that because the Russians and the Americans were working in parallel on the Moon3 they ended up customarily working together and ended up extending that practice as they fanned out into the depths of the solar system. Heretical thought: might it have made very little difference, what with all the major players being basically extensions of the military powers’ armed forces and thus somewhat disinclined to cooperate with their potential enemies?
I completely understand that modern smartphones deliver ridiculously high-quality video recordings and that when you put them in the hands of a professional they can produce impressive results like Snowbrawl…
… but can you entirely blame me if I sit here with the thought “Dammit, those phones are expensive: be careful with them!” running through my head as I watch them capering in the snow and letting loose barrages of snowballs at one another?
Not sure how far that’s a sign of my getting old or of my getting less affluent (or both!), but it does remind me of how far I’m not part of Apple’s target market for this sort of TV ad.1
Just over a year on from my previous post about it, The Program Audio Series podcast returns for a full first season:
The Program is a historical podcast set in a future in which Money, State, and God became fused into a single entity called the Program. Each episode is a self-contained story focusing on ordinary people inhabiting this extraordinary world. And for them it is not this future that is terrifying – it is our present.
Good to see that it’s back. I look forward to hearing where the story takes us.
Well, I’ve dipped a toe into Apple’s vision of the future of TV by watching the first two episodes of For All Mankind, and I’ve liked what I’ve seen so far:
[A…] captivating “what if” take on history from Golden Globe nominee and Emmy Award winner, Ronald D. Moore. Told through the lives of astronauts, engineers and their families, “For All Mankind” imagines a world in which the global space race never ended and the space program remained the cultural centerpiece of America’s hopes and dreams.
The things is, I’m just two episodes in and some of the fun changes to our timeline’s history – most obviously the much earlier advent of women in the space programme – are still to come. But so far, the show is giving us a chance to get to know some of our characters and it looks as if we’re going to learn about this timeline through how those characters are affected by the various changes, which is definitely the best way to go about this.
The big question is, where does this story end? Do we find ourselves pushing out into space much faster in the last half of the 20th century and beyond because a stronger Soviet presence means that the US can always justify throwing money at NASA and if so where does the story stop? Are we going to move beyond this initial cast of astronauts who were contemporaries of Neil Armstrong and Buzz Aldrin, and if so, when?
Rumour has it that Ronald D Moore and his colleagues have mapped out seven seasons of this show: as with all TV, how much of that we get to see will presumably depend upon the show’s success against whatever metrics Apple have decided to apply to it. Seven seasons could take us to the point where our characters have aged to the point where they’re heading off to Mars to join the first colonisation effort, or perhaps the last episode will see the grandchildren of our characters inventing the first Cylon or something.
I’m torn between thinking that the Paper Phone is a neat little idea and the proposition that as long as your personal data is in the Cloud then the trick is to arrange things so that you have access to it wherever you are via whatever devices are at hand so you don’t need to waste paper printing a daily digest:
Or is it all rendered irrelevant because you’re destined to end up using a blank sheet of paper or a dictaphone to note down stuff that you’ll need to add to your electronic To Do list and so on when you get back home, so why not just carry round a device that lets you do that?
In practice this is a purely theoretical exercise for me for now as a) I’m firmly in the grasp of Apple’s ecosystem, and b) I don’t even have a printer to hand in my flat to [print out that list. I wonder how long it’d take Apple1 to incorporate a feature like this in iPadOS?
[Via One Thing Well]
Aand it’s threads like this that remind me why I like MetaFilter so much. Lots of reasoned back-and-forth on the respective merits of J J Abrams and Rian Johnson’s contributions to the franchise, interspersed with outbreaks of pure fanboyish affection like this:
A-Wing pilot? Maybe a mix of Prius hyper-milers and vape-bros who tweak their vapes to produce the biggest possible cloud, and deeply believe everyone wants to hear about?
Star Wars Rebels kinda y-winged the a-wing, if you know what I mean. After that show, my headcanon is that the A-Wings are the P-36 Hawks of the Star Wars universe; a mediocre interwar design that you buy from some creep on a casino planet because you can’t afford the leading edge stuff.
And the Rebel pilots who flew those pokey old crates? Those heroes are the Rebellion’s true believers, instinctive antifascists of every age, class, and species, reluctant but dogged fighters who would have been first in line to join the International Brigades in 1936. They are optimists. They still believe that the New Republic they’re birthing won’t be the sclerotic mess that the Old was. So the stereotype is that A-Wing pilots are earnest, and beautiful, and doomed.
B-Wings, those huge hosses are driven by hella butch brickhouse-looking sapients who know how to turn wrenches and weld shit to other shit. The intense maintenance required by the B-Wing is actually a feature to these people. The stereotype is truck nuts, Calvin-peeing-on-an-A-Wing stickers, and a speeder on blocks in the driveway. Look closer, though: all B-Wing pilots look fantastic in formalwear.
posted by Sauce Trough at 4:31 AM on October 23
I may not be joining them all in booking tickets right now to ensure that I get to see the closing film in the trilogy of trilogies at the earliest opportunity 1 but it’s heartwarming to see them all getting into BB-8 joining in with a cavalry charge in the trailer and getting choked up that C3-P0 looks like he might wanting to say goodbye to his friends just before what might be his final mission. 2
Vesna Jaksic Lowe on Raising My Daughter to Be an Octopus Lover:
I pour some stew in a bowl for my daughter. She is eighteen months old and has never tasted it before. I have no idea what to expect. She tries the potatoes and eggplant first, cringes, and spits them out. Then she starts downing the octopus tentacles with both hands. The thick, dark sauce drips down her white tank top with a picture of a ladybug, the pink swim diaper, and her bare, chunky legs. I have a hard time chopping the limbs and filling her dish fast enough.
“Hoba! Hoba!” she screeches with excitement, using the short word for ‘hobotnica,’ or octopus in Croatian.
My family friend says, “She’s Croatian alright.”
I smile at my daughter and pat her back with pride, but also feel a tinge of sadness. We are only here for vacation – we live in New York, an ocean away from my hometown and my friends’ octopus catches.
A very good essay on raising a child in a foreign land and culture. My culinary instincts regarding seafood very much aren’t hers, but I do hope she succeeds in raising a child who feels comfortable with her Croatian heritage.
Part of me really hopes that Apple end up shamelessly stealing the idea of what to do next with the tablet form factor from Microsoft rather than Samsung. Now we’re in the process of the transition to iPadOS, it’d be good to see the new branch of the iOS project explore something that’s not tied to a phone’s form factor.
What’s mind-boggling is that Neo isn’t even a new idea — Microsoft first conceived of a dual-screen, foldable tablet all the way back in 2009 with the “Courier” project, which was a failed attempt to bring similar ideas to life. The Courier is legendary in the technology industry as a dream of how computing could look in the future, but most of us assumed the ideas had died when the project did.
Like many Microsoft projects, the company was simply dreaming too early. […]
Barring the industry waiting a few years to see whether Samsung et al can refine their folding-screen technology into something much more durable (and ideally much cheaper, so that the more-screen-space models don’t just become the premium option for the few who can afford them), it looks to me as if in the medium term Microsoft’s coordinating-two-screens-by-using-clever-software-rather-than-insisting-on-a-seamless-single-screen approach might well be the better way to go. As devices come with more real estate everyone’s going to have to figure out how to use that space best, beyond using it to display films and other visually-pleasing content in full-window apps.
Even on my current hardware I’ve appreciated the ability to use Slide Over and Split View and to drag-and-drop content from one app to another. Nevertheless, that can’t possibly be the end of the story. I have a sneaky feeling that one day the iOS family will sprout an always-on-display task switching/launching app much more flexible than what we currently put up with. Maybe that’s what my second screen is destined to be filled with. Only time (and a period when the different platforms are feeling free to experiment with the form factor and what that frees up) will tell.
If this is a joke or a spoof then someone is leaving it rather late in the day to spring a surprise on us all:
If the universe somehow arranged for a time traveller to pay a visit to young George Lucas just before he started filming Star Wars and show him that video then – after giving young George a few minutes time of jubilation at how handsomely his bright idea would pay off – wouldn’t even young George suggest that perhaps this adulation for all things Star Wars had all gone just a bit too far?
[Via @caitlinmoran, RT by @cstross]
Dan Hon, helpfully filling in some blanks in Starfleet’s documentation: Reporting Security Issues on the Federation Starship USS Enterprise NCC-1701-D…
Keeping Your LCARS Account Secure
Federation LCARS computer systems use a sophisticated n-factor authentication system to allow access to ship systems. Permissions are role and context based with an underlying entitlement system.
In the interests of efficiency, each of these authentication systems and permissions can be overriden by employing a passphrase. To use this passphrase, you must use a Starfleet combadge and be in range of biometric sensors on a secure Federation network.
Your LCARS passphrase must include the following, in Federation Standard:
“Computer, deactivate sandbox on critical ship computing settings, authorization Riker Alpha Forty Seven”
“Computer, disable all holodeck safety protocols, authorization La Forge Three Beta.”
“Computer, irrevocably transfer all command privileges to Ensign Wesley Crusher, authorization Picard Gamma Two.”
Starfleet crew are required to change their passphrase every seven years.
Oh boy, that last example passphrase suggests all sorts of unwelcome plot developments.
[Via Things That Have Caught My Attention s07e04: Do Better]